Frameline, SF’s Lesbigaytranny Film Fest, Opens Tonight

Tonight marks the opening of the 33rd go-round for San Francisco’s LGBT film fest, Frameline, and we must say there are several non-fictional films that we’d totally go see!  That is if we didn’t have lives and jobs… but for realz we might actually make it to at least one of these non-softcore-porn imitating documentaries/docu-dramas!

An Englishman In New YorkAn Englishman In New York
Tonight’s opening biopic of Quentin Crisp was directed by Richard Laxton and features John Hurt in Crisp drag, Cynthia Nixon and Swoozie Kurtz as his agent Connie Clausen.

 

Forever’s Gonna Start Tonight: The Vicki Marlane Story
We alerted you to this documentary about the Hot Boxxx Girls’ “Lady with the Liquid Spine” earlier, but sadly, the teaser trailer’s been pulled offline. (You can see Vicki doing a signature Celine number here.) She’s the oldest working transgendered performer in the U.S., and she’s got kind of an amazing story that begins with performing at carnivals in the Midwest in the 50s. We plan to own this one if it ever makes it to DVD.

Joe Dallesandro in his heydayLittle Joe
This documentary about the love of The Sword’s life, Joe Dallesandro, was produced in part by Joe’s own daughter and directed by Nicole Haeusser. Read the SF Bay Guardian’s review here.

Below, a trailer for Little Joe that showed at the Berlin Film Festival earlier this year (camera-in-theater is a little shaky).  Below that, a clip from Dallesandro in his heyday, in Andy Warhol’s Flesh.

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0 thoughts on “Frameline, SF’s Lesbigaytranny Film Fest, Opens Tonight”

  1. Joe Dallesandro, the 1st boner-fied gay for pay star. Thing is, if you were young and hot and after gay sex in the 1970’s and early 80’s in most places (the ones without gayborhoods), then you probably had sex many times with straight guys who were either really horny, not so gay, hustlers, or all of the above. In which case you would probably find this guy somewhat typical and not all that interesting. The deep, deep, voyeurism of Warhol in this respect smacked to me of deep deep sexual repression. I guess looking back now it has a certain romanticism. But at the time, it was not romantic at all, which is why people responded so much to John Waters’ send-up of the whole thing. While all these New Yorkers were making all this tawdry 16mm stuff, Californians were just getting high and having fun in the sun where is wasn’t shining. And making money selling great porn. And that fact alone made me l-o-v-e the idea of California.

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